
Mistress Gwenllyen the Potter
Or, a dragon’s head cabossed and on a
point pointed
rayonny gules an amphora Or, a bordure
sable
(Name and
device approved December 6, 2000)
Number of Years in the SCA.
I have been participating in the SCA
since June of 1997. I became a paid
member about a year later, and have been ever since.
I feel it is important to support this organization, as it has
become such an important part of my life.
Awards & Titles.
Arts & Science
I center my studies on pottery, however I
am also interested in costuming and currently am the SCA seamstress not only
for my family but for another couple, too.
I have a Bachelor's Degree in Fine Arts
in Studio Art from Lamar University in Beaumont, Texas. During my college years I spent much of my
studies time in the ceramic studio.
After college, I married and spent the next 10 years moving about the
country and overseas as a military wife, and was not able to participate in
pottery on a regular basis. In the
summer of 1995, with a new husband and the purchase of a new house, I was able
to buy a kiln, and begin again to seriously pursue pottery as more than just a
sideline. Shortly after that I
purchased my second wheel, and had my pottery studio set up in my garage. When I began playing in the SCA in 1997, I
began to make pottery that could be considered "SCA acceptable" -
mostly feast gear and mugs - for friends and on commission. From that point on, I began the study of
medieval pottery form, with my ultimate goal of making replica's of typical
pottery pieces from the middle ages.
The first recognition that I was on the right track was when I was asked
to make some pieces for the then King and Queen, Skepti and Asa, to take to
Pennsic for gifts to the other Knowne World Crowns. That was a very satisfying project, and I learned a lot from
it. I look forward to having the chance
to do that again. That same year, I
received my AoA from Skepti and Asa,
followed by my Jambe a few months later (also from Skepti and Asa). That pretty much set me on my path, and gave
me my focus.
Time Period of Study
I center my work between 1100 and 1400,
and concentrate on utilitarian pottery - what I call "useful
ware". I have always been drawn to
the practical side of art, rather than "art for art's sake".
I
am fascinated by the more unusual pieces that still served a viable function on
the feast tables and in the kitchens of the middle ages.
Classes Taught
Service and Offices
Competitions, Displays, A&S
Championships